Showing posts with label Native Instinct. Show all posts
Showing posts with label Native Instinct. Show all posts

Saturday, March 1, 2014

A SOON-TO-BE PHILIPPINE SURVIVAL SHOW CALLED NATIVE INSTINCT



SURVIVAL-THEMED SHOWS on TV are now the most watched programs anywhere in the world and it opened the eyes of the viewer of the different scenarios when society or even a single individual is threatened by events or by forces caused by nature or by humans. It also shows primitive-living techniques, woodlore and culture of native peoples which had never been seen before on the boob tube.

Survival TV produced illustrious names like Les Stroud, Ray Mears, Bear Grylls, Mykel Hawke, Cody Lundin, Dave Canterbury and others and have spurred reality-TV shows like the highly-rated Survivor®. As if that is not enough, there are many survival videos produced professionally that are uploaded on YouTube, Vimeo and other dedicated sites which command a good following.


Matthew Everett, an independent film maker and a product of Bridgewater College in England, decided to organize his own production outfit in Southeast Asia where he was able to produce and direct indie short documentaries about Philippine culture. When not filming, he goes back home each winter to work in a power plant to raise the money he needs for his film projects.

Taking it a step further, he began mulling of a survival-cultural-adventure made-for-TV series. When Everett met Wil Rhys-Davies and Jing de Egurrola of Snakehawk Wilderness School, he felt he is catching on to that dream and named this project as “Native Instinct”. He explains that it is a bit like a survival show but it demonstrates cultural differences between the lead casts with some humour in it.

In fact, he had already made two test shoots at Guintarcan Island in Cebu and in an Aeta village of Bataan. This reality TV show aims to educate its viewers on survival techniques along with Philippine culture in an exciting and fun way. It will follow Rhys-Davies and De Egurrola, both wilderness instructors, as they travel through the islands, dealing with different survival situations and learning new skills.

What makes it different from the rest of the survival TV genre is that both Rhys-Davies and De Egurrola have good chemistry since both are good friends for years. Both enjoy poking fun at each other, on and off the camera, and it is this playful banter that will set it apart from the rest.

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Rhys-Davies is raised on the periphery of the rugged Brecon Beacon Mountains in Wales and have wandered considerably the local woodlands of his childhood, it just seems natural that, one day, he would be an outdoorsman and wilderness traveler. He spent ten years with the British Armed Forces serving in a variety of environments, at home and abroad.

A trained mountain leader, wilderness medic, Outward Bound instructor and avid wilderness traveler; has travelled and worked in a multitude of environments in many countries, such as deserts, jungles, high mountain ranges; and in all seasons as a backpacking guide, climbing instructor, desert survival technical consultant, mountain biker, adventure-cycle tourer, and canyoneer.


He has worked with various clientele, from gang members, wealthy clients, drug and alcohol rehabilitation patients, and individuals who seek his knowledge. He is especially fond of the Aeta people of Zambales, the Philippines, whom he describes as amazingly friendly and one of the best jungle people he has met.

He is always passionate to see young people challenge themselves through outdoor activities. He is currently working on a multi-discipline adventure trip for 2014. Currently residing in the Philippines, he works with Snakehawk Wilderness School and consults with Silangan Outdoor Products.

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The other cast is a Filipino and is a native of Cebu. He is a former SWAT operative and police investigator and had been taught woodcraft by his grandfather as a child. He used to be a recreational climber and free-lance mountain guide before shifting to bushcraft and survival and teaches these to aspiring woodsmen during weekends as well as urban survival techniques for corporate functionaries.

He uses the jungles and woodlands of the Babag Mountain Range as his playground and as location of the annual Philippine Independence Bushcraft Camp of which he is the convenor and main instructor. Apart from that, he organized and founded the first and only bushcraft and survival guild in the Philippines called Camp Red.

He is now working for the completion of the Cebu Highlands Trail in 2015, a project patterned after the Appalachian Trail and the Pacific Crest Trail of the United States and is also engrossed in outreach projects that benefit the children of the mountains and of the environment. He is married for 24 years now and a father to two adult sons.


He is presently managing a top-rate private security agency in Cebu and is the partner of Rhys-Davies at Snakehawk Wilderness School. He is a product endorser of Silangan Outdoor Equipment, Bamboo Military Shoes, Seseblades and AJF Knives. He tests gears and equipment which are then given review on his blog. He maintains a free-platform blog named Warrior Pilgrimage. (Click on this address: www.pinoyapache.blogspot.com)

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Native Instinct is programmed to be filmed as a TV series but lack of funds hampered its shooting and is presently campaigning in Indiegogo.com to raise £2,000 to propel it into finishing the first six episodes, which would include a re-shoot of the island escapade and the Aeta cultural immersion. The money would be spent for travel, equipment and production expenses.

Prospective investors will be able to choose their perks according to the various donation packages indicated at its Indiegogo.com project page. As you read this, the Native Instinct production staff are asking you to please help this show by supporting for the completion of this in the form of donating any amount at its Indiegogo.com page.

Below are some video clips of Native Instinct under the “Jungle Survival with the Aetas” episode. It is like Dual Survival® of Cody Lundin and Joe Teti but with a different twist. What would that be? It is for you to distinguish! Please enjoy - - -





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Tuesday, August 20, 2013

PINOYAPACHE IN THE LAND OF THE AETAS

AFTER THE GUINTARCAN ISLAND video shoot have been wrapped up last month, the small production outfit that I am cast with as a co-host, now set their sights on an Aeta village up north in Luzon. This made-for-TV show targetting an international audience is the first of its kind in the Philippines since it will utilize a Filipino as lead cast as well as location shootings are all done here. My co-host is my partner at Snakehawk Wilderness Skills School, William Rhys-Davies.


On the afternoon of May 8, 2013 we left Cebu for the Diosdado Macapagal International Airport, formerly Clark Air Force Base. It is my first time to fly through there although I have, a couple of times in 2002, gone there by land. The Cebu Pacific plane touched down at 6:30 PM and we transfer to the Dau Terminal in Mabalacat, Pampanga for our trip to Olongapo City in a Victory Liner.

We arrive at Olongapo and Mylene Castro of the Pastolan Aeta meet us to arrange our journey to her village. We spend the night at her humble home and arrive before midnight. It is a long ride to the village through a long and complex detour caused by the presence of SCTEX. I have never been to an Aeta village before although I met a lot of them in Metro Manila after Mount Pinatubo dislodged them from their homes in 1992.

The following day, May 9, the film crew is hampered by lack of equipment so they went to Pangasinan to purchase a slightly used Canon EOS Video Camera. Rhys-Davies and I spend the whole day in Pastolan and hike the dirt road to Pamulaklakin. Pamulaklakin is an eco-tourism park put up by the Subic Freeport Authority to provide livelihood for the Aetas. The park showcases the best in primitive-living skills of the Aetas and the Pamulaklakin Forest Trail.

Rhys-Davies and the chief elder of the Pastolan Aeta – Dominador “Tata Kasoy” Liwanag – are old friends when the former was a visitor in 2007 and twice in 2009. It was a happy reunion for both when they meet again at Pamulaklakin. Tata Kasoy, despite his 72 years age, is still lithe, agile and strong and he demonstrated this by climbing an upright tree so easily and then jump on the ground from twelve feet up on barefoot.


He is a wonder to watch as he explained to tourists in his pidgin English about how the lowly bamboo can be converted into a survival tool. With great dexterity, Tata Kasoy used his traditional Aeta bolo as if he is using a small knife and carved spoons, drinking jugs, plates and cooking pots with it. Not only that, making fire with two pieces of dry bamboo is just a stroll in the park with him. Done in less than two minutes!

I also get to know Miguel Abraham and the other Aetas and I feel very fortunate for this rare opportunity. We went back to Pastolan to spend another night in Mylene’s house. I observed, as I was walking along the way, the Aeta aboriginal land is lush with three layers of rainforest and it is home to different varieties of flora and fauna which have given the Aeta people sustenance. They are great hunters and could travel in the forest deftly and silently.

While in Pastolan, we visit the house of Tata Kasoy after dinner and he welcomed me and Rhys-Davies inside and we have a long conversation. When it is time to depart, Tata Kasoy accompanied us and bring us to a tour of the whole village. He introduce us to his brothers, his children and grandchildren, his other relatives, the village center and the oldest tree.

On the early morning of May 10, me and Rhys-Davies are invited to hunt with them. I am excited and I bring along my tomahawk, just in case, if the need arises. They were armed with air-powered rifles and bows and arrows. We go down into a stream and up a trail where there is a very tall fig. Hanging like huge black fruits from below the branches and twigs are actually fruit bats sleeping in their hanging-down fashion.


An Aeta with a bow climbed up an adjacent tree to get a good vantage of one fruit bat and, once settled on a high branch, he takes a position to ready his bow and arrow and take aim at the nearest bat. The first arrow got deflected by a twig and missed the bat by inches but the nocturnal creature remain unperturbed. The second one, this time, hit the target true and the bat plummeted to the ground after trying to extricate itself from the protruding shaft sticking in its body.

Another bat was taken down using this method and the Aetas decide to end this hunting foray and we all returned to Pastolan. The Aetas offered one bat to us which I accepted provided I know how to dress it. I tell them I can and they were happy to part it away to me. Me and Rhys-Davies arrive laughing at our base camp with a booty which soon will be food either for lunch or for dinner.

Noontime came, the film crew arrived with their video camera and they decide to change location and want to transfer to the place of Miguel. We proceed to Parapal, Hermosa, Bataan, which also follow a very circuitous and complex route borne out of the SCTEX operation. We arrive in the early afternoon and immediately start shooting the scenes. The routine of talking to the cameras are much easier to do now compared to the last time in Guintarcan. I am now in the groove and retakes are now few.


Miguel prepare to cook rice and cassava in bamboo. Traditional Aeta cooking of rice in bamboo provides a small hole to place water and rice grains and then closed by a lid. After the rice have been cooked, the bamboo is split open with a bolo to get the rice. It is so different from my own system but it is, as well, efficient.

Meanwhile, I start to skin the fruit bat. The camera crew focus on my work as I talk and explain of what I am doing. Rhys-Davies provide me a meter long pointed bamboo stick. The skinned bat will be cooked over an ember. I bury the skin and head underneath a big mango tree and said thank you for the meat it had provided.

A feast commenced when the last food had been cooked. Other Aetas and their neighbors join Miguel and his family to honor our presence and I was humbled. Marlon Diamzon, a minor elder, offered to perform a traditional Aeta war dance for us in traditional Aeta garb with bow and arrow. Marlon gyrated and hopped around a campfire and is documented by the production crew. Rhys-Davies, following a script, joined Marlon around the fire with bow and arrow and it elicit so much laughter among the Aetas.

On Saturday, May 11, shooting start early. Matt Everett, the producer and director, make use of time by doing some script lines that Rhys-Davies and I would talk before the cameras. It took a lot of retakes since sounds from the festivities would interfere with the audio. Miguel has guests today since it is his birthday and the video shooting take a slow drag. People arrive in a jitney and in a van. His neighbors butchered a male goat early in the morning and the place is in a festive mood. When Miguel was done with us, he returned to entertain his guests.

The day’s shooting wrapped up early due to external interference caused by excited voices and loud music. We join the crowd instead and celebrate the occasion by partaking of the meal, talking with the locals and sharing glasses of local brandy. When everyone left, the place return to normal and I help in the cleaning up of the place. Once, when everyone have gone all to sleep, I steal a quick bath without anything on outside where the water are kept and that was my first bath in four days!

May 12, Sunday, shoot starts late. Everett, wanted me and Rhys-Davies to set up traps above the hills where our present base camp is located. He is intent to catch us a live python or a monitor lizard and he is utilizing Miguel for help. While they were all busy making traps, I make my own trap on a wide meadow. It is a cage trap set on the ground with a trigger mechanism. The trigger causes the door to shut when disturbed and imprisons the prey.


Everett include Miguel during the shooting and talk to the camera following on a script provided by Everett. Rhys-Davies and I explain, respectively, to the absent audience how the snares work and what mechanisms are included like a funnel-like contraption that I constructed so a prey would found its way into the cage entrance.

The rest of the day were spent on dialogues and Everett make it work like as if I am better than Rhys-Davies and him better than me and that sort of tug war of dares and counter-dares. After a tiring day, which was interrupted by rain, I sleep early but I wake up at dawn to steal another quick bath.

When May 13 came, the shooting slackened. It is Election Day. People will go today to vote for their senators, house representatives, mayors, vice mayors and city and town councilors in their respective voting precincts. The Aetas are no exception. Nevertheless, we check our traps and snares and we come empty-handed even at the spots where we placed baits.

I came to appreciate a special spot for me up where near the snares are. Every early morning I would squat at a very vegetated area where there is space in the middle. My good knowledge about plants helped me when it comes to find an alternative “wiper”. But I would be cautious each time I approach the place. I keep an eye on snakes or whatever lurking and those “drops” I left the previous days.

Anyway, Miguel returned after lunch time, frustrated at the long lines in his precinct, unable to vote, and quite hungry. When noon came, he decide to go home. Everett asked him if he could demonstrate to the camera and to the absent audience about traditional Aeta way of bow making. From a dry bamboo, he carve a three-foot long stick which will serve as bow and an arrow.

Using a banana trunk as target, Miguel deftly shot at it accurately time and time again. Me and Rhys-Davies take the cue of Miguel and produce our own bows. I break my first when I strung tight my bow string and almost snap my second. Following the script, Rhys-Davies shows good skill with bows and I appeared a far second to him during our test with shooting arrows. Rhys-Davies smirk at my skill with the bow and arrow and it was awkward on my part to be on the losing end. 


The next day, after a visit to my favorite spot, (May 14) we left base camp to hike towards a river. There had been numerous sightings of monitor lizards there some days ago and we need to catch it. Miguel installed two snare devices at two different places. These are short bamboo poles opened on one end with a small hole above to hold the trigger mechanism. Miguel placed bait at the endmost part and we returned to base.

On the other hand, Everett need to film a real but very dangerous activity: Honey gathering. Miguel lead us to the house of Marlon. Marlon volunteered to hunt the honey which would be sourced in the forest two kilometers away. The honey is found near the top of an old santol tree (sp. Sandoticum koetjapi) which is thirty feet tall.

We were prepared for this activity. Miguel brought a mosquito net to protect Everett, Rhys-Davies and Prem Ananda, the cameraman, against the hornets should these fly berserk when their hive is disturbed. Me, on the other hand, wear a long-sleeved shirt, a sniper meshclothe and bonnet and spray myself with citronella because I want to be in the thick of the action.

Miguel and two other Aetas forage banana trunks, mature bamboos, a long wooden pole, dry leaves and some vines while Marlon climbed the santol tree. They wrap the pole with dry leaves and cover it with pieces of the banana trunk which were secured with vine cordage. They make a fire on a clump of dry leaves and once done they transfer the flame to the wrapped pole which was tied with a nylon rope on one forked end.

When smoke begins to appear, Marlon drag the rope and the wrapped pole up. By now, the hornets stream down from their hive when these got wind of our presence. Woodsmoke make them frenzy and I notice some were all around us but I covered my smell with that of smoke so I was left alone. I move slowly not to attract the hornets else they would notice me. Miguel and the other two Aetas move closer to the fire when more hornets are noticed.

Marlon place the wrapped pole underneath the hive and that’s when the hornets became more aggressive. I looked up at Marlon alone near the hive with the hornets all around and picking on him. I am afraid if he could not withstand the attacks and might cause him to fall down but I prayed that he will be safe. The full force of the hornets are all on us so I move slowly towards where Miguel is.

Then Marlon throw the other end of the nylon rope and asked for the plastic bucket. I tied the rope to the bucket and Marlon drag it up. Marlon break the hive with the pole and it split causing small pieces of honeycomb to fall down and drops of pure honey dripping. The rest of the hive and the precious honey were placed inside the bucket and slowly go down towards us as Marlon released the rope little by little.

When that secured, I could see that the hornets lose their battle and began disappearing. All these were recorded by Everett and Ananda in their safe comforts of the mosquito net almost without retakes. Marlon suffered a lot but he did not wince or let go of his grip on the tree branch. He is a true Aeta warrior and he showed the stuff of what he is made of and I have my great respect for him.

We all went back to the road that lead us to the village of Parapal. Along the way, we pass by the house of Marlon and we were welcomed to grab a meal. Marlon divided the honey amongst us. I am given a good share for my “ground support” and for braving the hornets with him. I am honored by that gesture. Ultimately, I transfer the honey into a glass jar and bring it back to Cebu as a bounty and as part of my natural food supplement.

Before the honey was pillaged, Rhys-Davies and me had a talk with the absent audience following, of course, the script provided by Everett. During the heat of the attack of hornets, Rhys-Davies covered the details well which Everett could not do so otherwise on me, Marlon and Miguel. It was quite impossible for Everett for any close-up shoots on the activity of honey hunting.


When we do arrive at Miguel’s house, we were quite spent for the day’s different activities but Everett need to do one more thing to close the day. He needs to shoot me and Rhys-Davies dressing rice-field frogs. Smaller than a bull frog, these have long limbs and quite slimy. These were acquired through another Aeta when our snares failed to produce results.

Rhys-Davies dress the three frogs with my William Rodgers knife and, with the same knife, I dress three frogs myself. At this moment, I am quite irritated why Rhys-Davies refused to use the blades of his Swiss Army Knife and his Leatherman and then it came to a point where I am made to do a very nasty thing on an already decapitated frog which I absolutely protested. Man may have dominion over animals and plants but not to the extent of using these as tools to show how barbaric we are.

Everett did not pursue that last scene and, instead, use Rhys-Davies to explain my walk-out from the set. I am tired and I lost appetite on what could have been a savory meal of frogs which Miguel prepared. It rained and I believe my body and mind need a rest that early to relieve my stress. As before, I wake up in the middle of the night and take a bath naked in the dark.

May 15 is the last day of our shooting. We each have round-trip tickets and we will stick to schedule. However, there is one more sequence to do. Rhys-Davies and me fulfilled that with a lot of retakes since the script is quite long. Then it is time pack our things and leave Miguel and his family and the rest of the Aetas, to include those in Pastolan. I am saddened to part company with them for I have developed good rapport with them.

We leave after lunch and reach the Diosdado Macapagal International Airport at 3:30 PM. Our flight schedule is 6:00 PM but is delayed and is re-scheduled for 7:30 PM. Nevertheless, we depart for Cebu. My honey is safe inside my bag along with my tomahawk and my knives. Almost left is the bamboo arrow given to me by Nestor but I insisted despite the protestations of a Cebu Pacific staff as it is harmless without a bow and quietly safe as part of a check-in baggage.



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Tuesday, July 23, 2013

PINOYAPACHE AS AN "ISLAND CASTAWAY"

REALITY PROGRAMS MADE for cable TV are very interesting and educational and command such attention by viewers all around the globe, especially concerning primitive-living skills and survival. Bear Grylls is the name that usually crop up when my mountaineer-friends talk among themselves ever since I begin to attend again membership meetings with my old club after a long hiatus of eleven years.

That was in 2007 and, unfortunately, I do not have a cable TV connection. Even today. Anyways, the things that Grylls did, which I overheard from my friends, were quite familiar to me and I could do that as well with much finesse and sanity but, being a mountain climber then, I was wrench-locked to follow the principles of this foreign ideology called Leave No Trace.

As I slowly veer away from LNT, from insane mass climbs and from my former club, I begin to practice free-rein outdoorscraft like survival and wilderness skills. A recent Cebu visitor, Thomas “Tomahawk” Moore, have greatly influenced me on this when we met in September 2009. The joys of having a small campfire is a freedom that I love to cherish most as well as my freedom of unimpeded movement like solo hikes and cutting across virgin ground.


In January 2010, I established a club called Camp Red Bushcraft and Survival Guild. This is the only one of its kind in the country and I organized the annual Philippine Independence Bushcraft Camp every June 12th as its main activity. Not only that, I begin to make videos of myself doing things I loved best and uploaded these to the Warrior Pilgrimage Channel in YouTube.

As the pleasures of my new-found interest guided me, names of other TV survivalists like Les Stroud, Ray Mears, Mykel Hawke, Cody Lundin, etc. begin to surface up. To be honest, I have never watched a single show of these survival shows and it was only in August 2012 when I finally saw what Grylls looked like and what he did in his show when a video was uploaded at Camp Red’s Facebook site by one of the members and it was about le Legion Etrangere.

When I teamed up with William Rhys-Davies in January 2013 to put up Snakehawk Wilderness Skills School, a small production outfit wanted to do a series of video shoots about tropical bushcraft and survival in the Philippines. The location of the first episode would be in Guintarcan Island, Santa Fe, Cebu and it would star, no less, by Rhys-Davies and myself. For this project, I was provided two videos of Ray Mears for study. It was the one shot at Costa Rica and another at Palawan.


On April 19, 2013, we left the mainland and cross the Bantayan Channel for Guintarcan. Our host is Mrs. Tita Rosos, who accommodated us all into her residence which became our base camp. The video crew consist of the producer/director/cameraman – Matt Everett; cameraman – Prem Ananda; two personal assistants; and a medic – Casey Ballard. Aside that, we hired Tady Rosos as our man Friday and the boat owned by Inday Dabalos

The videocam begin its shoot as the outriggered boat begins to set sail for the island. The weather is perfect giving us a very calm sea although the heat and humidity are at a high swing and would later take a toll on the exposed skins of the cameramen, the medic, Rhys-Davies and, mildly, on myself. The show, according to the producer would almost follow along the lines of Dual Survival of Cody Lundin and Joseph Teti but with a different twist.  Guess what that would be? But, who are these guys? 

The first segment for the first day is catching us swimming from boat to shore about 100 meters distant in our clothes. I am wearing a light-blue rayon T-shirt, a dark-blue Rohan long pants and a pair of beachcomber shoes. Rhys-Davies is in his Lowe shirt, a Silangan hike shorts and a pair of Salomon shoes. There were a lot of shots from different angles above the surface and underwater; two-way dialogues; and one-on-one talks to the camera.

Talking before a camera is nothing new to me especially if it is a self-shoot or done in jest with another. But with a professional-looking camera with a professional behind it, my self-confidence begins to waver. Feelings that I knew of during job interviews done long ago, suddenly came back at light speed. My eyes kept rolling to retrieve missing words, stopping me in mid-sentence, and, possibly, would make me look like a clown before a wide audience if not for retakes.

In the afternoon, the director need to do many retakes of our swimming prowess. We shifted scene afterwards and asked to make a debris shelter. While doing that, there are the usual dialogues between Rhys-Davies and me and then the one-on-one on camera. I was asked to forage for food, which I did, by plucking a ripe fruit of a pandanus tree. We ate the fruit explaining to the invisible audience of its taste and how it is eaten.


I split and cleaned both green and mature coconut palms with a William Rodgers bushcraft knife. The dry palm is hard but the blade make short work of this. While I was in the middle of driving the edge hard in the middle of the palm, the knife point nicked one of my fingers and blood spurted out. I have already expected getting cut by my new knife and it created a bond between new owner and blade. I remedy the discomfort by making a poultice out of Indian mulberry leaf buds after stopping the bleeding by elevation and direct pressure.

The knife had been given to me by the CEO of a native delicacy company just recently in appreciation of my outdoors prowess and for friendship’s sake. He is not just a knife collector but work on his knives to their ultimate limits. The knife comes with a leather sheath with Kydex lining which he himself made and dyed; quite rare for a business executive.

I was really exhausted after doing several repeats of sequences of holding breathe under water for almost the whole day, swinging from coconut palms in the hope of detaching it from the upper trunk and trying to polish off my pidgin English that I collapsed onto my ground tarp splayed on hot concrete after supper unmindful of the heat it refused to surrender. I slept like a baby under the bare sky.

After breakfast of the second day (April 20), we went back to our shelter and, part of the script, I would again forage for water and food which I found up a coconut tree which need to be climbed. I ascended below the crown and twisted two fruits with my hand and let it fall, cut a hole and drank its sweet water, and split it open to scrape the white meat. All these are but natural for me while Rhys-Davies made himself helpful by teasing a fire to life with his firesteel.



In the afternoon, we walked up a hill to shoot a scene inside and outside of Cantingting Cave to look for food. After some dialogues and talking to an invisible audience, I foraged old coconut palms and fashion these into three flame torches which we will need to light our way inside the cave and, hopefully, catch our prey. The script goes that we need to catch bats to sustain our survival.

The light from the flame torches are inadequate and make it impossible to catch bats so I place the torches upside down so it would bellow thick smoke and agitate the bats from its stupor high up on the ceiling and waited for them to swarm out of the cave. I position myself outside the cave mouth with a three-foot stick like Barry Bonds while Rhys-Davies stayed inside to shout and scare the bats. The bats did start to fly into my position and I whack five of these senseless. We now have solid food for the day!

It is dusk when we returned to the beach where our shelter lay. The camera focused on my skinning of the bat and I explained to the absent audience why I need to remove a certain part of the animal so it won’t spoil the meat. On the other hand, Rhys-Davies tried his darndest best to ignite a fire with partly-moist coconut fibers which he used as tinder. After a considerable amount of sweat running down on his brows, the flame flickered and danced.

Rhys-Davies sharpened the points of two bamboo sticks and I pierced all the dressed bats unto it and cook it on open coals. I talked to the camera how I reacted when Rhys-Davies failed to produce fire and talked also of my plans for the rest of the day and of the following day. We leave the set and returned to base camp. There was a slight shower after dinner and everyone heaved a sigh of good relief that the extreme heat of the day will soon dissipate!

The third day – April 21 – found us swimming by the shore and skimming for food on its part-sandy part-rocky bottom. This island is abundant of shellfish of different varieties and, it is only a matter of time before we will fish it out of the sea ourselves. There were many sequences taken by underwater cameras and too few moments to recover our breathe. It was a never-ending battle to stay under despite the onset of tidal current.

To counter buoyancy, I held on to rocks and, in the process, detaching these. Beneath some of these rocks are juvenile giant clams (sp. Gigas Pacifica). Elated with these discovery, I plucked out four clams while Rhys-Davies was successful with one. Using my knife, I forced it all open and removed the flesh from the shells and skewer it with last night’s barbeque sticks and cooked it again on bare coals which Rhys-Davies expertly provided.

When we have finished lunch, the rest of the afternoon is dedicated to foraging bamboo poles, which are abundant on the island, so we could make and float a raft and make a run for the mainland. We found a grove of spiny bamboos. The problem with this kind of bamboo is that the base is protected by a screen of thorns. I explained to the camera how I would extract the poles using a bolo and a knife.

I created a corridor by slowly removing the lower branches where there are spines. When these tangle with each other, these create a screen and always snag on anything soft like fabrics and human skin. I got snagged on the base of my thumb and blood begin to ooze as I started to cut and remove these. Altogether, I cut three poles which is about twenty feet each and drag it each time it is caught on the branches of a mango tree.

Slowly, one by one, to and fro three times, we shoulder the bamboo poles from the interior to the shore. I measure the pole by their segments and cut it with the bolo. The knife cleared and cut the knobs and branches. We were able to make six eight-foot long poles as our main deck. We have also provided four poles as our cross bars eight feet long. On the beach are four abandoned 5-gallon plastic containers with caps and a considerable length of nylon rope which a fisherman abandoned.


Rhys-Davies did the lashings as he is well-adept at this while I assisted him in feeding the ropes or reaching a rope end at the most difficult corners with a finger. The containers were distributed along the four corners of the bamboo raft and would be the main buoyant component while the cross bars would hold it like a vise. I provided two coconut palms, stripped of leaves and carved, as our paddles. We tested the raft’s sea-worthiness and it floated well with me and Rhys-Davies on board.

The last scene would be rowing from shore to other shore thirty kilometers or so away crossing the Bantayan Channel. Could this be possible? Are we in our right minds? Perhaps or perhaps not. But with perfect weather, with a sail and lots of fortitude and luck, why not? We could even make it by morning. This was the crux of the show but the director intervened by towing us back to shore with a motor boat and Rhys-Davies capped it off by promising his imaginary audience that we would be back for the next episode.

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