Showing posts with label Native Instinct. Show all posts
Showing posts with label Native Instinct. Show all posts
Saturday, March 1, 2014
A SOON-TO-BE PHILIPPINE SURVIVAL SHOW CALLED NATIVE INSTINCT
SURVIVAL-THEMED
SHOWS on TV are now the most watched programs anywhere in the world
and it opened the eyes of the viewer of the different scenarios when
society or even a single individual is threatened by events or by
forces caused by nature or by humans. It also shows primitive-living
techniques, woodlore and culture of native peoples which had never
been seen before on the boob tube.
Survival
TV produced illustrious names like Les Stroud, Ray Mears, Bear
Grylls, Mykel Hawke, Cody Lundin, Dave Canterbury and others and have
spurred reality-TV shows like the highly-rated Survivor®.
As if that is not enough, there are many survival videos produced
professionally that are uploaded on YouTube, Vimeo and other
dedicated sites which command a good following.
Matthew
Everett, an independent film maker and a product of Bridgewater
College in England, decided to organize his own production outfit in
Southeast Asia where he was able to produce and direct indie short
documentaries about Philippine culture. When not filming, he goes
back home each winter to work in a power plant to raise the money he
needs for his film projects.
Taking
it a step further, he began mulling of a survival-cultural-adventure
made-for-TV series. When Everett met Wil Rhys-Davies and Jing de
Egurrola of Snakehawk Wilderness School, he felt he is catching on to
that dream and named this project as “Native Instinct”. He
explains that it is a bit like a survival show but it demonstrates
cultural differences between the lead casts with some humour in it.
In
fact, he had already made two test shoots at Guintarcan Island in
Cebu and in an Aeta village of Bataan. This reality TV show aims to
educate its viewers on survival techniques along with Philippine
culture in an exciting and fun way. It will follow Rhys-Davies and
De Egurrola, both wilderness instructors, as they travel through the
islands, dealing with different survival situations and learning new
skills.
What
makes it different from the rest of the survival TV genre is that
both Rhys-Davies and De Egurrola have good chemistry since both are
good friends for years. Both enjoy poking fun at each other, on and
off the camera, and it is this playful banter that will set it apart
from the rest.
-----------
Rhys-Davies
is raised on the periphery of the rugged Brecon Beacon Mountains in
Wales and have wandered considerably the local woodlands of his
childhood, it just seems natural that, one day, he would be an
outdoorsman and wilderness traveler. He spent ten years with the
British Armed Forces serving in a variety of environments, at home
and abroad.
A
trained mountain leader, wilderness medic, Outward Bound instructor
and avid wilderness traveler; has travelled and worked in a multitude
of environments in many countries, such as deserts, jungles, high
mountain ranges; and in all seasons as a backpacking guide, climbing
instructor, desert survival technical consultant, mountain biker,
adventure-cycle tourer, and canyoneer.
He
has worked with various clientele, from gang members, wealthy
clients, drug and alcohol rehabilitation patients, and individuals
who seek his knowledge. He is especially fond of the Aeta people of
Zambales, the Philippines, whom he describes as amazingly friendly
and one of the best jungle people he has met.
He
is always passionate to see young people challenge themselves through
outdoor activities. He is currently working on a multi-discipline
adventure trip for 2014. Currently residing in the Philippines, he
works with Snakehawk Wilderness School and consults with Silangan
Outdoor Products.
-----------
The
other cast is a Filipino and is a native of Cebu. He is a former
SWAT operative and police investigator and had been taught woodcraft
by his grandfather as a child. He used to be a recreational climber
and free-lance mountain guide before shifting to bushcraft and
survival and teaches these to aspiring woodsmen during weekends as
well as urban survival techniques for corporate functionaries.
He
uses the jungles and woodlands of the Babag Mountain Range as his
playground and as location of the annual Philippine Independence
Bushcraft Camp of which he is the convenor and main instructor.
Apart from that, he organized and founded the first and only
bushcraft and survival guild in the Philippines called Camp Red.
He
is now working for the completion of the Cebu Highlands Trail in
2015, a project patterned after the Appalachian Trail and the Pacific
Crest Trail of the United States and is also engrossed in outreach
projects that benefit the children of the mountains and of the
environment. He is married for 24 years now and a father to two
adult sons.
He
is presently managing a top-rate private security agency in Cebu and
is the partner of Rhys-Davies at Snakehawk Wilderness School. He is
a product endorser of Silangan Outdoor Equipment, Bamboo Military
Shoes, Seseblades and AJF Knives. He tests gears and equipment which
are then given review on his blog. He maintains a free-platform blog
named Warrior Pilgrimage. (Click on this address:
www.pinoyapache.blogspot.com)
-----------
Native
Instinct is programmed to be filmed as a TV series but lack of funds
hampered its shooting and is presently campaigning in Indiegogo.com
to raise £2,000 to propel it into finishing the first six episodes,
which would include a re-shoot of the island escapade and the Aeta
cultural immersion. The money would be spent for travel, equipment
and production expenses.
Prospective
investors will be able to choose their perks according to the various
donation packages indicated at its Indiegogo.com
project page. As you read this, the Native Instinct production
staff are asking you to please help this show by supporting for the
completion of this in the form of donating any amount at its
Indiegogo.com page.
Below
are some video clips of Native Instinct under the “Jungle Survival
with the Aetas” episode. It is like Dual Survival®
of Cody Lundin and Joe Teti but with a different twist. What would
that be? It is for you to distinguish! Please enjoy - - -
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Labels: bushcraft, Native Instinct, primitive-living, survival, survival TV, video
Tuesday, August 20, 2013
PINOYAPACHE IN THE LAND OF THE AETAS
AFTER
THE GUINTARCAN ISLAND video shoot have been wrapped up last month,
the small production outfit that I am cast with as a co-host, now set
their sights on an Aeta village up north in Luzon. This made-for-TV
show targetting an international audience is the first of its kind in
the Philippines since it will utilize a Filipino as lead cast as well
as location shootings are all done here. My co-host is my partner at
Snakehawk Wilderness Skills School, William Rhys-Davies.
On
the afternoon of May 8, 2013 we left Cebu for the Diosdado Macapagal
International Airport, formerly Clark Air Force Base. It is my first
time to fly through there although I have, a couple of times in 2002,
gone there by land. The Cebu Pacific plane touched down at
6:30 PM and we transfer to the Dau Terminal in Mabalacat, Pampanga
for our trip to Olongapo City in a Victory Liner.
We
arrive at Olongapo and Mylene Castro of the Pastolan Aeta meet us to
arrange our journey to her village. We spend the night at her humble
home and arrive before midnight. It is a long ride to the village
through a long and complex detour caused by the presence of SCTEX. I
have never been to an Aeta village before although I met a lot of
them in Metro Manila after Mount Pinatubo dislodged them from their
homes in 1992.
The
following day, May 9, the film crew is hampered by lack of equipment
so they went to Pangasinan to purchase a slightly used Canon EOS
Video Camera. Rhys-Davies and I spend the whole day in Pastolan and
hike the dirt road to Pamulaklakin. Pamulaklakin is an eco-tourism
park put up by the Subic Freeport Authority to provide livelihood for
the Aetas. The park showcases the best in primitive-living skills of
the Aetas and the Pamulaklakin Forest Trail.
Rhys-Davies
and the chief elder of the Pastolan Aeta – Dominador “Tata Kasoy”
Liwanag – are old friends when the former was a visitor in 2007 and
twice in 2009. It was a happy reunion for both when they meet again
at Pamulaklakin. Tata Kasoy, despite his 72 years age, is still
lithe, agile and strong and he demonstrated this by climbing an
upright tree so easily and then jump on the ground from twelve feet
up on barefoot.
He
is a wonder to watch as he explained to tourists in his pidgin
English about how the lowly bamboo can be converted into a survival
tool. With great dexterity, Tata Kasoy used his traditional Aeta
bolo as if he is using a small knife and carved spoons, drinking
jugs, plates and cooking pots with it. Not only that, making fire
with two pieces of dry bamboo is just a stroll in the park with him.
Done in less than two minutes!
I
also get to know Miguel Abraham and the other Aetas and I feel very
fortunate for this rare opportunity. We went back to Pastolan to
spend another night in Mylene’s house. I observed, as I was
walking along the way, the Aeta aboriginal land is lush with three
layers of rainforest and it is home to different varieties of flora
and fauna which have given the Aeta people sustenance. They are
great hunters and could travel in the forest deftly and silently.
While
in Pastolan, we visit the house of Tata Kasoy after dinner and he
welcomed me and Rhys-Davies inside and we have a long conversation.
When it is time to depart, Tata Kasoy accompanied us and bring us to
a tour of the whole village. He introduce us to his brothers, his
children and grandchildren, his other relatives, the village center
and the oldest tree.
On
the early morning of May 10, me and Rhys-Davies are invited to hunt
with them. I am excited and I bring along my tomahawk, just in case,
if the need arises. They were armed with air-powered rifles and bows
and arrows. We go down into a stream and up a trail where there is a
very tall fig. Hanging like huge black fruits from below the
branches and twigs are actually fruit bats sleeping in their
hanging-down fashion.
An
Aeta with a bow climbed up an adjacent tree to get a good vantage of
one fruit bat and, once settled on a high branch, he takes a position
to ready his bow and arrow and take aim at the nearest bat. The
first arrow got deflected by a twig and missed the bat by inches but
the nocturnal creature remain unperturbed. The second one, this
time, hit the target true and the bat plummeted to the ground after
trying to extricate itself from the protruding shaft sticking in its
body.
Another
bat was taken down using this method and the Aetas decide to end this
hunting foray and we all returned to Pastolan. The Aetas offered one
bat to us which I accepted provided I know how to dress it. I tell
them I can and they were happy to part it away to me. Me and
Rhys-Davies arrive laughing at our base camp with a booty which soon
will be food either for lunch or for dinner.
Noontime
came, the film crew arrived with their video camera and they decide
to change location and want to transfer to the place of Miguel. We
proceed to Parapal, Hermosa, Bataan, which also follow a very
circuitous and complex route borne out of the SCTEX operation. We
arrive in the early afternoon and immediately start shooting the
scenes. The routine of talking to the cameras are much easier to do
now compared to the last time in Guintarcan. I am now in the groove
and retakes are now few.
Miguel
prepare to cook rice and cassava in bamboo. Traditional Aeta cooking
of rice in bamboo provides a small hole to place water and rice
grains and then closed by a lid. After the rice have been cooked,
the bamboo is split open with a bolo to get the rice. It is so
different from my own system but it is, as well, efficient.
Meanwhile,
I start to skin the fruit bat. The camera crew focus on my work as I
talk and explain of what I am doing. Rhys-Davies provide me a meter
long pointed bamboo stick. The skinned bat will be cooked over an
ember. I bury the skin and head underneath a big mango tree and said
thank you for the meat it had provided.
A
feast commenced when the last food had been cooked. Other Aetas and
their neighbors join Miguel and his family to honor our presence and
I was humbled. Marlon Diamzon, a minor elder, offered to perform a
traditional Aeta war dance for us in traditional Aeta garb with bow
and arrow. Marlon gyrated and hopped around a campfire and is
documented by the production crew. Rhys-Davies, following a script,
joined Marlon around the fire with bow and arrow and it elicit so
much laughter among the Aetas.
On
Saturday, May 11, shooting start early. Matt Everett, the producer
and director, make use of time by doing some script lines that
Rhys-Davies and I would talk before the cameras. It took a lot of
retakes since sounds from the festivities would interfere with the
audio. Miguel has guests today since it is his birthday and the
video shooting take a slow drag. People arrive in a jitney and in a
van. His neighbors butchered a male goat early in the morning and
the place is in a festive mood. When Miguel was done with us, he
returned to entertain his guests.
The
day’s shooting wrapped up early due to external interference caused
by excited voices and loud music. We join the crowd instead and
celebrate the occasion by partaking of the meal, talking with the
locals and sharing glasses of local brandy. When everyone left, the
place return to normal and I help in the cleaning up of the place.
Once, when everyone have gone all to sleep, I steal a quick bath
without anything on outside where the water are kept and that was my
first bath in four days!
May
12, Sunday, shoot starts late. Everett, wanted me and Rhys-Davies to
set up traps above the hills where our present base camp is located.
He is intent to catch us a live python or a monitor lizard and he is
utilizing Miguel for help. While they were all busy making traps, I
make my own trap on a wide meadow. It is a cage trap set on the
ground with a trigger mechanism. The trigger causes the door to shut
when disturbed and imprisons the prey.
Everett
include Miguel during the shooting and talk to the camera following
on a script provided by Everett. Rhys-Davies and I explain,
respectively, to the absent audience how the snares work and what
mechanisms are included like a funnel-like contraption that I
constructed so a prey would found its way into the cage entrance.
The
rest of the day were spent on dialogues and Everett make it work like
as if I am better than Rhys-Davies and him better than me and that
sort of tug war of dares and counter-dares. After a tiring day,
which was interrupted by rain, I sleep early but I wake up at dawn to
steal another quick bath.
When
May 13 came, the shooting slackened. It is Election Day. People
will go today to vote for their senators, house representatives,
mayors, vice mayors and city and town councilors in their respective
voting precincts. The Aetas are no exception. Nevertheless, we
check our traps and snares and we come empty-handed even at the spots
where we placed baits.
I
came to appreciate a special spot for me up where near the snares
are. Every early morning I would squat at a very vegetated area
where there is space in the middle. My good knowledge about plants
helped me when it comes to find an alternative “wiper”. But I
would be cautious each time I approach the place. I keep an eye on
snakes or whatever lurking and those “drops” I left the previous
days.
Anyway,
Miguel returned after lunch time, frustrated at the long lines in his
precinct, unable to vote, and quite hungry. When noon came, he
decide to go home. Everett asked him if he could demonstrate to the
camera and to the absent audience about traditional Aeta way of bow
making. From a dry bamboo, he carve a three-foot long stick which
will serve as bow and an arrow.
Using
a banana trunk as target, Miguel deftly shot at it accurately time
and time again. Me and Rhys-Davies take the cue of Miguel and
produce our own bows. I break my first when I strung tight my bow
string and almost snap my second. Following the script, Rhys-Davies shows good skill with
bows and I appeared a far second to him during our test with shooting
arrows. Rhys-Davies smirk at my skill with the bow and arrow and it
was awkward on my part to be on the losing end.
The
next day, after a visit to my favorite spot, (May 14) we left base
camp to hike towards a river. There had been numerous sightings of
monitor lizards there some days ago and we need to catch it. Miguel
installed two snare devices at two different places. These are short
bamboo poles opened on one end with a small hole above to hold the
trigger mechanism. Miguel placed bait at the endmost part and we
returned to base.
On
the other hand, Everett need to film a real but very dangerous
activity: Honey gathering. Miguel lead us to the house of Marlon.
Marlon volunteered to hunt the honey which would be sourced in the
forest two kilometers away. The honey is found near the top of an
old santol tree (sp. Sandoticum koetjapi) which is thirty feet
tall.
We
were prepared for this activity. Miguel brought a mosquito net to
protect Everett, Rhys-Davies and Prem Ananda, the cameraman, against
the hornets should these fly berserk when their hive is disturbed.
Me, on the other hand, wear a long-sleeved shirt, a sniper meshclothe
and bonnet and spray myself with citronella because I want to be in
the thick of the action.
Miguel
and two other Aetas forage banana trunks, mature bamboos, a long
wooden pole, dry leaves and some vines while Marlon climbed the
santol tree. They wrap the pole with dry leaves and cover it
with pieces of the banana trunk which were secured with vine cordage.
They make a fire on a clump of dry leaves and once done they
transfer the flame to the wrapped pole which was tied with a nylon
rope on one forked end.
When
smoke begins to appear, Marlon drag the rope and the wrapped pole up.
By now, the hornets stream down from their hive when these got wind
of our presence. Woodsmoke make them frenzy and I notice some were
all around us but I covered my smell with that of smoke so I was left
alone. I move slowly not to attract the hornets else they would
notice me. Miguel and the other two Aetas move closer to the fire
when more hornets are noticed.
Marlon
place the wrapped pole underneath the hive and that’s when the
hornets became more aggressive. I looked up at Marlon alone near the
hive with the hornets all around and picking on him. I am afraid if
he could not withstand the attacks and might cause him to fall down
but I prayed that he will be safe. The full force of the hornets are
all on us so I move slowly towards where Miguel is.
Then
Marlon throw the other end of the nylon rope and asked for the
plastic bucket. I tied the rope to the bucket and Marlon drag it up.
Marlon break the hive with the pole and it split causing small
pieces of honeycomb to fall down and drops of pure honey dripping.
The rest of the hive and the precious honey were placed inside the
bucket and slowly go down towards us as Marlon released the rope
little by little.
When
that secured, I could see that the hornets lose their battle and
began disappearing. All these were recorded by Everett and Ananda in
their safe comforts of the mosquito net almost without retakes.
Marlon suffered a lot but he did not wince or let go of his grip on
the tree branch. He is a true Aeta warrior and he showed the stuff
of what he is made of and I have my great respect for him.
We
all went back to the road that lead us to the village of Parapal.
Along the way, we pass by the house of Marlon and we were welcomed to
grab a meal. Marlon divided the honey amongst us. I am given a good
share for my “ground support” and for braving the hornets with
him. I am honored by that gesture. Ultimately, I transfer the honey
into a glass jar and bring it back to Cebu as a bounty and as part of
my natural food supplement.
Before
the honey was pillaged, Rhys-Davies and me had a talk with the absent
audience following, of course, the script provided by Everett.
During the heat of the attack of hornets, Rhys-Davies covered the
details well which Everett could not do so otherwise on me, Marlon
and Miguel. It was quite impossible for Everett for any close-up
shoots on the activity of honey hunting.
When
we do arrive at Miguel’s house, we were quite spent for the day’s
different activities but Everett need to do one more thing to close
the day. He needs to shoot me and Rhys-Davies dressing rice-field
frogs. Smaller than a bull frog, these have long limbs and quite
slimy. These were acquired through another Aeta when our snares
failed to produce results.
Rhys-Davies
dress the three frogs with my William Rodgers knife and, with
the same knife, I dress three frogs myself. At this moment, I am
quite irritated why Rhys-Davies refused to use the blades of his
Swiss Army Knife and his Leatherman and then it came to
a point where I am made to do a very nasty thing on an already
decapitated frog which I absolutely protested. Man may have dominion
over animals and plants but not to the extent of using these as tools
to show how barbaric we are.
Everett
did not pursue that last scene and, instead, use Rhys-Davies to
explain my walk-out from the set. I am tired and I lost appetite on
what could have been a savory meal of frogs which Miguel prepared.
It rained and I believe my body and mind need a rest that early to
relieve my stress. As before, I wake up in the middle of the night
and take a bath naked in the dark.
May
15 is the last day of our shooting. We each have round-trip tickets
and we will stick to schedule. However, there is one more sequence
to do. Rhys-Davies and me fulfilled that with a lot of retakes since
the script is quite long. Then it is time pack our things and leave
Miguel and his family and the rest of the Aetas, to include those in
Pastolan. I am saddened to part company with them for I have
developed good rapport with them.
We
leave after lunch and reach the Diosdado Macapagal International
Airport at 3:30 PM. Our flight schedule is 6:00 PM but is delayed
and is re-scheduled for 7:30 PM. Nevertheless, we depart for Cebu.
My honey is safe inside my bag along with my tomahawk and my knives.
Almost left is the bamboo arrow given to me by Nestor but I insisted
despite the protestations of a Cebu Pacific staff as it is
harmless without a bow and quietly safe as part of a check-in
baggage.
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Labels: Aeta, Bataan, Hermosa, Native Instinct, Pamulaklakin Eco Park, Pastolan, Snakehawk Wilderness, survival, survival TV
Tuesday, July 23, 2013
PINOYAPACHE AS AN "ISLAND CASTAWAY"
REALITY
PROGRAMS MADE for cable TV are very interesting and educational and
command such attention by viewers all around the globe, especially
concerning primitive-living skills and survival. Bear Grylls is the
name that usually crop up when my mountaineer-friends talk among
themselves ever since I begin to attend again membership meetings
with my old club after a long hiatus of eleven years.
That
was in 2007 and, unfortunately, I do not have a cable TV connection.
Even today. Anyways, the things that Grylls did, which I overheard
from my friends, were quite familiar to me and I could do that as
well with much finesse and sanity but, being a mountain climber then, I
was wrench-locked to follow the principles of this foreign ideology
called Leave No Trace.
As
I slowly veer away from LNT, from insane mass climbs and from my
former club, I begin to practice free-rein outdoorscraft like
survival and wilderness skills. A recent Cebu visitor, Thomas
“Tomahawk” Moore, have greatly influenced me on this when we met
in September 2009. The joys of having a small campfire is a freedom
that I love to cherish most as well as my freedom of unimpeded
movement like solo hikes and cutting across virgin ground.
In
January 2010, I established a club called Camp Red Bushcraft and
Survival Guild. This is the only one of its kind in the country and
I organized the annual Philippine Independence Bushcraft Camp every
June 12th as its main activity. Not only that, I begin to make
videos of myself doing things I loved best and uploaded these to the
Warrior Pilgrimage Channel in YouTube.
As
the pleasures of my new-found interest guided me, names of other TV
survivalists like Les Stroud, Ray Mears, Mykel Hawke, Cody Lundin,
etc. begin to surface up. To be honest, I have never watched a
single show of these survival shows and it was only in August 2012
when I finally saw what Grylls looked like and what he did in his
show when a video was uploaded at Camp Red’s Facebook site by one
of the members and it was about le Legion Etrangere.
When
I teamed up with William Rhys-Davies in January 2013 to put up
Snakehawk Wilderness Skills School, a small production outfit wanted
to do a series of video shoots about tropical bushcraft and survival
in the Philippines. The location of the first episode would be in
Guintarcan Island, Santa Fe, Cebu and it would star, no less, by
Rhys-Davies and myself. For this project, I was provided two videos
of Ray Mears for study. It was the one shot at Costa Rica and
another at Palawan.
On
April 19, 2013, we left the mainland and cross the Bantayan Channel
for Guintarcan. Our host is Mrs. Tita Rosos, who accommodated us all
into her residence which became our base camp. The video crew
consist of the producer/director/cameraman – Matt Everett;
cameraman – Prem Ananda; two personal assistants; and a medic –
Casey Ballard. Aside that, we hired Tady Rosos as our man Friday and
the boat owned by Inday Dabalos
The
videocam begin its shoot as the outriggered boat begins to set sail
for the island. The weather is perfect giving us a very calm sea
although the heat and humidity are at a high swing and would later
take a toll on the exposed skins of the cameramen, the medic,
Rhys-Davies and, mildly, on myself. The show, according to the
producer would almost follow along the lines of Dual Survival
of Cody Lundin and Joseph Teti but with a different twist. Guess
what that would be? But, who are these guys?
The
first segment for the first day is catching us swimming from boat to
shore about 100 meters distant in our clothes. I am wearing a
light-blue rayon T-shirt, a dark-blue Rohan long pants and a
pair of beachcomber shoes. Rhys-Davies is in his Lowe shirt,
a Silangan hike shorts and a pair of Salomon shoes.
There were a lot of shots from different angles above the surface and
underwater; two-way dialogues; and one-on-one talks to the camera.
Talking
before a camera is nothing new to me especially if it is a self-shoot
or done in jest with another. But with a professional-looking camera
with a professional behind it, my self-confidence begins to waver.
Feelings that I knew of during job interviews done long ago, suddenly
came back at light speed. My eyes kept rolling to retrieve missing
words, stopping me in mid-sentence, and, possibly, would make me look
like a clown before a wide audience if not for retakes.
In
the afternoon, the director need to do many retakes of our swimming
prowess. We shifted scene afterwards and asked to make a debris
shelter. While doing that, there are the usual dialogues between
Rhys-Davies and me and then the one-on-one on camera. I was asked to
forage for food, which I did, by plucking a ripe fruit of a pandanus
tree. We ate the fruit explaining to the invisible audience of its
taste and how it is eaten.
I
split and cleaned both green and mature coconut palms with a William
Rodgers bushcraft knife. The dry palm is hard but the blade
make short work of this. While I was in the middle of driving the
edge hard in the middle of the palm, the knife point nicked one of my
fingers and blood spurted out. I have already expected getting cut
by my new knife and it created a bond between new
owner and blade. I remedy the discomfort by making a poultice out of
Indian mulberry leaf buds after stopping the bleeding by elevation
and direct pressure.
The
knife had been given to me by the CEO of a native delicacy company
just recently in appreciation of my outdoors prowess and for
friendship’s sake. He is not just a knife collector but work on
his knives to their ultimate limits. The knife comes with a leather
sheath with Kydex lining which he himself made and dyed; quite rare
for a business executive.
I
was really exhausted after doing several repeats of sequences of
holding breathe under water for almost the whole day, swinging from
coconut palms in the hope of detaching it from the upper trunk and
trying to polish off my pidgin English that I collapsed onto my
ground tarp splayed on hot concrete after supper unmindful of the
heat it refused to surrender. I slept like a baby under the bare
sky.
After
breakfast of the second day (April 20), we went back to our shelter
and, part of the script, I would again forage for water and food
which I found up a coconut tree which need to be climbed. I ascended
below the crown and twisted two fruits with my hand and let it fall,
cut a hole and drank its sweet water, and split it open to scrape the
white meat. All these are but natural for me while Rhys-Davies made
himself helpful by teasing a fire to life with his firesteel.
In
the afternoon, we walked up a hill to shoot a scene inside and
outside of Cantingting Cave to look for food. After some dialogues
and talking to an invisible audience, I foraged old coconut palms and
fashion these into three flame torches which we will need to light
our way inside the cave and, hopefully, catch our prey. The script
goes that we need to catch bats to sustain our survival.
The
light from the flame torches are inadequate and make it impossible to
catch bats so I place the torches upside down so it would bellow
thick smoke and agitate the bats from its stupor high up on the
ceiling and waited for them to swarm out of the cave. I position
myself outside the cave mouth with a three-foot stick like Barry
Bonds while Rhys-Davies stayed inside to shout and scare the bats.
The bats did start to fly into my position and I whack five of these
senseless. We now have solid food for the day!
It
is dusk when we returned to the beach where our shelter lay. The
camera focused on my skinning of the bat and I explained to the
absent audience why I need to remove a certain part of the animal so
it won’t spoil the meat. On the other hand, Rhys-Davies tried his
darndest best to ignite a fire with partly-moist coconut fibers which
he used as tinder. After a considerable amount of sweat running down
on his brows, the flame flickered and danced.
Rhys-Davies
sharpened the points of two bamboo sticks and I pierced all the
dressed bats unto it and cook it on open coals. I talked to the
camera how I reacted when Rhys-Davies failed to produce fire and
talked also of my plans for the rest of the day and of the following
day. We leave the set and returned to base camp. There was a slight
shower after dinner and everyone heaved a sigh of good relief that
the extreme heat of the day will soon dissipate!
The
third day – April 21 – found us swimming by the shore and
skimming for food on its part-sandy part-rocky bottom. This island
is abundant of shellfish of different varieties and, it is only a
matter of time before we will fish it out of the sea ourselves.
There were many sequences taken by underwater cameras and too few
moments to recover our breathe. It was a never-ending battle to stay
under despite the onset of tidal current.
To
counter buoyancy, I held on to rocks and, in the process, detaching
these. Beneath some of these rocks are juvenile giant clams (sp.
Gigas Pacifica). Elated with these discovery, I plucked out four
clams while Rhys-Davies was successful with one. Using my knife, I
forced it all open and removed the flesh from the shells and skewer
it with last night’s barbeque sticks and cooked it again on bare
coals which Rhys-Davies expertly provided.
When
we have finished lunch, the rest of the afternoon is dedicated to
foraging bamboo poles, which are abundant on the island, so we could
make and float a raft and make a run for the mainland. We found a
grove of spiny bamboos. The problem with this kind of bamboo is that
the base is protected by a screen of thorns. I explained to the
camera how I would extract the poles using a bolo and a knife.
I
created a corridor by slowly removing the lower branches where there
are spines. When these tangle with each other, these create a screen
and always snag on anything soft like fabrics and human skin. I got
snagged on the base of my thumb and blood begin to ooze as I started
to cut and remove these. Altogether, I cut three poles which is
about twenty feet each and drag it each time it is caught on the
branches of a mango tree.
Slowly,
one by one, to and fro three times, we shoulder the bamboo poles from
the interior to the shore. I measure the pole by their segments and
cut it with the bolo. The knife cleared and cut the knobs and
branches. We were able to make six eight-foot long poles as our main
deck. We have also provided four poles as our cross bars eight feet
long. On the beach are four abandoned 5-gallon plastic containers
with caps and a considerable length of nylon rope which a fisherman
abandoned.
Rhys-Davies
did the lashings as he is well-adept at this while I assisted him in
feeding the ropes or reaching a rope end at the most difficult
corners with a finger. The containers were distributed along the
four corners of the bamboo raft and would be the main buoyant
component while the cross bars would hold it like a vise. I provided
two coconut palms, stripped of leaves and carved, as our paddles. We
tested the raft’s sea-worthiness and it floated well with me and
Rhys-Davies on board.
The
last scene would be rowing from shore to other shore thirty
kilometers or so away crossing the Bantayan Channel. Could this be
possible? Are we in our right minds? Perhaps or perhaps not. But
with perfect weather, with a sail and lots of fortitude and luck, why
not? We could even make it by morning. This was the crux of the
show but the director intervened by towing us back to shore with a
motor boat and Rhys-Davies capped it off by promising his imaginary
audience that we would be back for the next episode.
Document
done in LibreOffice 3.3 Writer
Posted by
PinoyApache
at
18:24
1 comments
Labels: Cebu, Guintarcan Island, Native Instinct, Snakehawk Wilderness, survival, survival TV
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